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Azariah Alfante
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Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Note on Orthography and Translations xiii
- Introduction 1
- Chapter 1 Modern Matter: disentailment and the religious question 13
- Chapter 2 At the Heart of the Nation: domestic well-being and spiritual patrimony in cecilia böhl de faber’s la gaviota (1849), la familia de alvareda (1856), callar en vida y perdonar en muerte (1856), and lágrimas (1862) 38
- Chapter 3 The Hallowed, the Haunting: remembering and restoring the sacred precinct in gustavo adolfo bécquer’s historia de los templos de españa (1857), cartas desde mi celda (1864), and leyendas (1858–1864) 66
- Chapter 4 A New Vital Force: reconstructing spain’s spiritual body in benito pérez galdós’s doña perfecta (1876), gloria (1877), mendizábal (1898), and montes de oca (1900) 97
- Chapter 5 The Abyss and the Mount: questions of faith, family, and tradition in josé maría de pereda’s el tío cayetano (1858–1859 and 1868–1869), blasones y talegas (1869), de tal palo, tal astilla (1880), and sotileza (1885) 129
- Final Reflections 161
- Acknowledgments 169
- Notes 171
- Bibliography 199
- Index 215
- About the Author 221
Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Note on Orthography and Translations xiii
- Introduction 1
- Chapter 1 Modern Matter: disentailment and the religious question 13
- Chapter 2 At the Heart of the Nation: domestic well-being and spiritual patrimony in cecilia böhl de faber’s la gaviota (1849), la familia de alvareda (1856), callar en vida y perdonar en muerte (1856), and lágrimas (1862) 38
- Chapter 3 The Hallowed, the Haunting: remembering and restoring the sacred precinct in gustavo adolfo bécquer’s historia de los templos de españa (1857), cartas desde mi celda (1864), and leyendas (1858–1864) 66
- Chapter 4 A New Vital Force: reconstructing spain’s spiritual body in benito pérez galdós’s doña perfecta (1876), gloria (1877), mendizábal (1898), and montes de oca (1900) 97
- Chapter 5 The Abyss and the Mount: questions of faith, family, and tradition in josé maría de pereda’s el tío cayetano (1858–1859 and 1868–1869), blasones y talegas (1869), de tal palo, tal astilla (1880), and sotileza (1885) 129
- Final Reflections 161
- Acknowledgments 169
- Notes 171
- Bibliography 199
- Index 215
- About the Author 221