Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction 1
4. 1. The Weight of Fame 23
5. 2. The Postfeminist Turn in the Artist Novel by Women 55
6. 3. The Art Historian as Neoliberal Subject in Lourdes Ortiz’s Las manos de Velázquez and Paloma Díaz-Mas’s El sueño de Venecia 92
7. 4. Affiliation Anxiety 129
8. Conclusion 162
9. Acknowledgments 167
10. Notes 171
11. Bibliography 199
12. Index 211