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© 2024, University of Delaware Press, Newark, USA

© 2024, University of Delaware Press, Newark, USA

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Figures vii
  4. Tables ix
  5. Acknowledgments xi
  6. Introduction 1
  7. 1. Comic Resurgence: Catherine Clive 18
  8. 2. Musical Comedy: Frances Brooke 39
  9. 3. Laughter and Femininity: Frances Burney 65
  10. 4. The Satirical Seraglio: Hannah Cowley 89
  11. 5. Sentimental Comedy and Feminism: Elizabeth Inchbald 113
  12. Conclusion: Feminist Comedy 250 Years Later 139
  13. Appendix: Women’s Plays Staged in London’s Patent Theaters, 1750–1800 147
  14. Notes 153
  15. Bibliography 181
  16. Index 195
  17. About the Author 201
Feminist Comedy
This chapter is in the book Feminist Comedy
https://doi.org/10.36019/9781644533437-013

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Figures vii
  4. Tables ix
  5. Acknowledgments xi
  6. Introduction 1
  7. 1. Comic Resurgence: Catherine Clive 18
  8. 2. Musical Comedy: Frances Brooke 39
  9. 3. Laughter and Femininity: Frances Burney 65
  10. 4. The Satirical Seraglio: Hannah Cowley 89
  11. 5. Sentimental Comedy and Feminism: Elizabeth Inchbald 113
  12. Conclusion: Feminist Comedy 250 Years Later 139
  13. Appendix: Women’s Plays Staged in London’s Patent Theaters, 1750–1800 147
  14. Notes 153
  15. Bibliography 181
  16. Index 195
  17. About the Author 201
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