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10 The Beginnings of the Ending: Ariosto’s Last Proems of 1516
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments ix
- Introduction: Redreaming the Renaissance 1
-
Part I Visions
- 1 Reflections on Reflections: The Pictorial Lessons of Mirrors in Vasari’s Lives 19
- 2 Dream Cultures of the Italian Cinquecento 48
- 3 Bianca e nera: Representations of African Women in Basile’s Teagene and The Tale of Tales 67
-
Part II Passions
- 4 Tales of Marriage, Concubinage, and Prostitution in the Venetian Archives 93
- 5 Giovanni’s Story: Sex, Passion, and Identity in Early Modern Italy 117
- 6 Tullia d’Aragona’s Meschino and Religious Debate in Sixteenth-Century Italy 146
-
Part III Dramas
- 7 Playing with Food on the Italian Renaissance Stage 167
- 8 Tarquinia Molza and “Le cose del cielo”: Gender, Natural Philosophy, and Celebrity in Early Modern Italy 192
- 9 Women, Opera, and Onestà in Seventeenth-Century Rome 215
-
Part IV Methods
- 10 The Beginnings of the Ending: Ariosto’s Last Proems of 1516 239
- 11 Microhistory and the Digital Turn in Renaissance Historiography 261
- 12 News in Verse: The Battle of Polesella (1509) between Imagination, Communication, and Information 281
- Contributors 307
- Index 313
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments ix
- Introduction: Redreaming the Renaissance 1
-
Part I Visions
- 1 Reflections on Reflections: The Pictorial Lessons of Mirrors in Vasari’s Lives 19
- 2 Dream Cultures of the Italian Cinquecento 48
- 3 Bianca e nera: Representations of African Women in Basile’s Teagene and The Tale of Tales 67
-
Part II Passions
- 4 Tales of Marriage, Concubinage, and Prostitution in the Venetian Archives 93
- 5 Giovanni’s Story: Sex, Passion, and Identity in Early Modern Italy 117
- 6 Tullia d’Aragona’s Meschino and Religious Debate in Sixteenth-Century Italy 146
-
Part III Dramas
- 7 Playing with Food on the Italian Renaissance Stage 167
- 8 Tarquinia Molza and “Le cose del cielo”: Gender, Natural Philosophy, and Celebrity in Early Modern Italy 192
- 9 Women, Opera, and Onestà in Seventeenth-Century Rome 215
-
Part IV Methods
- 10 The Beginnings of the Ending: Ariosto’s Last Proems of 1516 239
- 11 Microhistory and the Digital Turn in Renaissance Historiography 261
- 12 News in Verse: The Battle of Polesella (1509) between Imagination, Communication, and Information 281
- Contributors 307
- Index 313