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Introduction
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Anna Battigelli
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- 1 Laughter from on High: The Arts of Contempt in Restoration England 16
- 2 Staging Davenant; or, Macbeth, the Musical 31
- 3 The Arts of Memory in Absalom and Achitophel: Dryden’s Response to Milton and Marvell 47
- 4 Peacocks and Rainbows: Visual Spectacle and Allegorical Performance in Albion and Albanius 65
- 5 “The Dyrham Decades”: The Cultural Connections of an English Country House, 1690–1720 86
- 6 Domenico Scarlatti: “Jesting with Art” 102
- 7 Queen Anne’s Other Women 131
- 8 Anne Donnellan: Friend of the Arts 151
- 9 Responding to Emma in 1816: Reviewers, Readers, and “Opinions” 182
- 10 Elizabeth Rivers and Christopher Smart: Eighteenth-Century Poetry across Time and Form 199
- Selected Bibliography 219
- Notes on Contributors 225
- Index 229
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- 1 Laughter from on High: The Arts of Contempt in Restoration England 16
- 2 Staging Davenant; or, Macbeth, the Musical 31
- 3 The Arts of Memory in Absalom and Achitophel: Dryden’s Response to Milton and Marvell 47
- 4 Peacocks and Rainbows: Visual Spectacle and Allegorical Performance in Albion and Albanius 65
- 5 “The Dyrham Decades”: The Cultural Connections of an English Country House, 1690–1720 86
- 6 Domenico Scarlatti: “Jesting with Art” 102
- 7 Queen Anne’s Other Women 131
- 8 Anne Donnellan: Friend of the Arts 151
- 9 Responding to Emma in 1816: Reviewers, Readers, and “Opinions” 182
- 10 Elizabeth Rivers and Christopher Smart: Eighteenth-Century Poetry across Time and Form 199
- Selected Bibliography 219
- Notes on Contributors 225
- Index 229