Presented to you through Paradigm Publishing Services
Rutgers University Press
Chapter
Licensed
Unlicensed
Requires Authentication
2. “I Have Something to Tell You”: Polyvocality, Theater, and the Performance of Solidarity in U.S. Latina Narratives of the Guatemalan Civil War
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction: Gender, War, and Activism in Contemporary U.S. Latina/o Cultural Production 1
- 1. Gender, Difference, and the FSLN Insurrection 27
- 2. “I Have Something to Tell You”: Polyvocality, Theater, and the Performance of Solidarity in U.S. Latina Narratives of the Guatemalan Civil War 64
- 3. Demetria Martínez’s Mother Tongue and the Politics of Decolonial Love 92
- 4. Father, Army, Nation: Familial Discourse and Ambivalent Homonationalism in José Zuniga’s Soldier of the Year 121
- 5. Camilo Mejía’s Public Rebellion and the Formation of Transnational Latina/o Identity 156
- Coda 189
- Notes 197
- Works Cited 215
- Index 229
- About the Author 235
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction: Gender, War, and Activism in Contemporary U.S. Latina/o Cultural Production 1
- 1. Gender, Difference, and the FSLN Insurrection 27
- 2. “I Have Something to Tell You”: Polyvocality, Theater, and the Performance of Solidarity in U.S. Latina Narratives of the Guatemalan Civil War 64
- 3. Demetria Martínez’s Mother Tongue and the Politics of Decolonial Love 92
- 4. Father, Army, Nation: Familial Discourse and Ambivalent Homonationalism in José Zuniga’s Soldier of the Year 121
- 5. Camilo Mejía’s Public Rebellion and the Formation of Transnational Latina/o Identity 156
- Coda 189
- Notes 197
- Works Cited 215
- Index 229
- About the Author 235