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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: There’s No Place Like Home 1
- 1. The Shtetls, Shund, and Shows of Musicals 18
- 2. The Musicals of Black Folk: Race Cinema and the Black-Cast Musicals of 1929 45
- 3. “Not a Musical in Any Sense of the Word”: Allá en el Rancho Grande Crosses the Border 72
- 4. “Our Home Town”: The Hollywood Folk Musical 99
- 5. “Tahiti, Rome, and Mason City, Iowa”: Musical Migrants in the Postwar Era 125
- 6. “Ease on Down the Road”: Folk Musicals of the Ethnic Revival 152
- 7. Home Is Where the Audience Is: The Sing-Along 185
- Conclusion: Beyond the Rainbow 202
- Notes 209
- Bibliography 241
- Index 251
- About the Author 261
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: There’s No Place Like Home 1
- 1. The Shtetls, Shund, and Shows of Musicals 18
- 2. The Musicals of Black Folk: Race Cinema and the Black-Cast Musicals of 1929 45
- 3. “Not a Musical in Any Sense of the Word”: Allá en el Rancho Grande Crosses the Border 72
- 4. “Our Home Town”: The Hollywood Folk Musical 99
- 5. “Tahiti, Rome, and Mason City, Iowa”: Musical Migrants in the Postwar Era 125
- 6. “Ease on Down the Road”: Folk Musicals of the Ethnic Revival 152
- 7. Home Is Where the Audience Is: The Sing-Along 185
- Conclusion: Beyond the Rainbow 202
- Notes 209
- Bibliography 241
- Index 251
- About the Author 261