Introduction

R. Barton Palmer; Murray Pomerance

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Introduction

R. Barton Palmer and Murray Pomerance

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This chapter is in the book Thinking in the Dark

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Palmer, R. Barton and Pomerance, Murray. "Introduction". Thinking in the Dark: Cinema, Theory, Practice, edited by Murray Pomerance and R. Barton Palmer, Ithaca, NY: Rutgers University Press, 2015, pp. 1-6. https://doi.org/10.36019/9780813566306-002

Palmer, R. & Pomerance, M. (2015). Introduction. In M. Pomerance & R. Palmer (Ed.), Thinking in the Dark: Cinema, Theory, Practice (pp. 1-6). Ithaca, NY: Rutgers University Press. https://doi.org/10.36019/9780813566306-002

Palmer, R. and Pomerance, M. 2015. Introduction. In: Pomerance, M. and Palmer, R. ed. Thinking in the Dark: Cinema, Theory, Practice. Ithaca, NY: Rutgers University Press, pp. 1-6. https://doi.org/10.36019/9780813566306-002

Palmer, R. Barton and Pomerance, Murray. "Introduction" In Thinking in the Dark: Cinema, Theory, Practice edited by Murray Pomerance and R. Barton Palmer, 1-6. Ithaca, NY: Rutgers University Press, 2015. https://doi.org/10.36019/9780813566306-002

Palmer R, Pomerance M. Introduction. In: Pomerance M, Palmer R (ed.) Thinking in the Dark: Cinema, Theory, Practice. Ithaca, NY: Rutgers University Press; 2015. p.1-6. https://doi.org/10.36019/9780813566306-002

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Chapters in this book

Frontmatter i
CONTENTS vii
Acknowledgments ix
Introduction 1
1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater 7
2. Vachel Lindsay: Theory of Movie Hieroglyphics 19
3. Béla Balázs: Film Aesthetics and the Rituals of Romance 31
4. Siegfried Kracauer: The Politics of Film Theory and Criticism 42
5. Walter Benjamin: Afterimages of the Aura 54
6. Jean Epstein: Cinema’s Encounter with Modern Life 66
7. Sergei Eisenstein: Attractions/Montage/Animation 77
8. Jacques Lacan: Giving All the Right Signs 89
9. Rudolf Arnheim: Cinema and Partial Illusion 101
10. Roland Barthes: What Films Show Us and What They Mean 113
11. Jean Rouch: The Camera as Provocateur 125
12. André Bazin: Dark Passage into the Mystery of Being 136
13. Gilles Deleuze: On Movement, Time, and Modernism 150
14. Stanley Cavell: The Contingencies of Film and Its Theory 162
15. Michel Foucault: Murmur and Meditation 174
16. Jean Douchet: La Politique Hitchcockienne 185
17. Christian Metz: Dreaming a Language in Cinema 197
18. V. F. Perkins: Aesthetic Suspense 208
19. Jacques Rancière: Equality and Aesthetics 217
20. Michel Chion: Listening to Cinema 229
21. Judith Butler: Sex, Gender, and Subject Formation 241
Works Cited 253
Notes on Contributors 263
Index 267

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https://doi.org/10.36019/9780813566306-002

Chapters in this book

Frontmatter i
CONTENTS vii
Acknowledgments ix
Introduction 1
1. Hugo Münsterberg: Psychologizing Spectatorship between Laboratory and Theater 7
2. Vachel Lindsay: Theory of Movie Hieroglyphics 19
3. Béla Balázs: Film Aesthetics and the Rituals of Romance 31
4. Siegfried Kracauer: The Politics of Film Theory and Criticism 42
5. Walter Benjamin: Afterimages of the Aura 54
6. Jean Epstein: Cinema’s Encounter with Modern Life 66
7. Sergei Eisenstein: Attractions/Montage/Animation 77
8. Jacques Lacan: Giving All the Right Signs 89
9. Rudolf Arnheim: Cinema and Partial Illusion 101
10. Roland Barthes: What Films Show Us and What They Mean 113
11. Jean Rouch: The Camera as Provocateur 125
12. André Bazin: Dark Passage into the Mystery of Being 136
13. Gilles Deleuze: On Movement, Time, and Modernism 150
14. Stanley Cavell: The Contingencies of Film and Its Theory 162
15. Michel Foucault: Murmur and Meditation 174
16. Jean Douchet: La Politique Hitchcockienne 185
17. Christian Metz: Dreaming a Language in Cinema 197
18. V. F. Perkins: Aesthetic Suspense 208
19. Jacques Rancière: Equality and Aesthetics 217
20. Michel Chion: Listening to Cinema 229
21. Judith Butler: Sex, Gender, and Subject Formation 241
Works Cited 253
Notes on Contributors 263
Index 267

Introduction

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