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6. Refiguring the Sacred: Strategies of Disfiguration in String, the Memorial to the Deportees, and Menora
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Preface and Acknowledgments xi
- Introduction 1
- 1. Zakhor: The Task of Holocaust Remembrance, Questions of Representation, and the Sacred 8
- 2. An Architecture of Absence: Daniel Libeskind’s Jewish Museum Berlin 27
- 3. Architectures of Redemption and Experience: Yad Vashem and the U.S. Holocaust Memorial Museum 57
- 4. The Artful Eye: Learning to See and Perceive Otherwise inside Museum Exhibits 85
- 5. “We Are the Last Witnesses”: Artifact, Aura, and Authenticity 119
- 6. Refiguring the Sacred: Strategies of Disfiguration in String, the Memorial to the Deportees, and Menora 149
- 7. Rituals of Remembrance in Jerusalem and Berlin: Museum Visiting as Pilgrimage and Performance 183
- Conclusion: “Now All That Is Left Is to Remember” 215
- Notes 219
- Bibliography 235
- Index 249
- About the Author 263
Chapters in this book
- Frontmatter i
- CONTENTS vii
- List of Illustrations ix
- Preface and Acknowledgments xi
- Introduction 1
- 1. Zakhor: The Task of Holocaust Remembrance, Questions of Representation, and the Sacred 8
- 2. An Architecture of Absence: Daniel Libeskind’s Jewish Museum Berlin 27
- 3. Architectures of Redemption and Experience: Yad Vashem and the U.S. Holocaust Memorial Museum 57
- 4. The Artful Eye: Learning to See and Perceive Otherwise inside Museum Exhibits 85
- 5. “We Are the Last Witnesses”: Artifact, Aura, and Authenticity 119
- 6. Refiguring the Sacred: Strategies of Disfiguration in String, the Memorial to the Deportees, and Menora 149
- 7. Rituals of Remembrance in Jerusalem and Berlin: Museum Visiting as Pilgrimage and Performance 183
- Conclusion: “Now All That Is Left Is to Remember” 215
- Notes 219
- Bibliography 235
- Index 249
- About the Author 263