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1. “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Shared History of Asian American Film and Video and Public Interest Media 1
- 1. “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982 12
- 2. The Center for Asian American Media and the Televisual Public Sphere 39
- 3. Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle over Positive/Negative Images 55
- 4. Dismembered from History: Racial Ambivalence in the Films of Gregg Araki 79
- 5. Better Luck Tomorrow and the Transnational Reframing of Asian American Film and Video 97
- 6. The Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American Zombie 124
- Afterword 134
- Notes 137
- Bibliography 145
- Index 153
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: The Shared History of Asian American Film and Video and Public Interest Media 1
- 1. “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982 12
- 2. The Center for Asian American Media and the Televisual Public Sphere 39
- 3. Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle over Positive/Negative Images 55
- 4. Dismembered from History: Racial Ambivalence in the Films of Gregg Araki 79
- 5. Better Luck Tomorrow and the Transnational Reframing of Asian American Film and Video 97
- 6. The Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American Zombie 124
- Afterword 134
- Notes 137
- Bibliography 145
- Index 153