Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. 1. Introduction: The State of the Art 1
5. PART ONE. General Trends (1965–1971)
6. 2. The British Invasion 11
7. 3. TV and Documentary’s Influence on Sound Aesthetics 29
8. 4. New Voices and Personal Sound Aesthetics, 1970–1971 57
9. PART TWO. Director Case Studies (1968–1976)
10. 5. Francis Ford Coppola’s American Zoetrope and Collective Filmmaking 87
11. 6. Robert Altman’s Collaborative Sound Work 110
12. 7. Martin Scorsese’s Dialectical Sound 129
13. PART THREE. The Dolby Stereo Era (1975–1980)
14. 8. The Sound of Music 153
15. 9. The Sound of Spectacle: Dolby Stereo and the New Classicism 179
16. 10. The Sound of Storytelling: Dolby Stereo and the Art of Sound Design 203
17. Notes 227
18. Selected Bibliography 249
19. Index 253