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2. The Timbre of Sincerity: Mahalia Jackson’s Gospel Sound and Ralph Ellison’s Invisible Man
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Black Resonance 1
- 1. Vivid Lyricism: Richard Wright and Bessie Smith’s Blues 27
- 2. The Timbre of Sincerity: Mahalia Jackson’s Gospel Sound and Ralph Ellison’s Invisible Man 66
- 3. Understatement: James Baldwin, Bessie Smith, and Billie Holiday 99
- 4. Haunting: Gayl Jones’s Corregidora and Billie Holiday’s “Strange Fruit” 137
- 5. Signature Voices: Nikki Giovanni, Aretha Franklin, and the Black Arts Movement 173
- Epilogue. “At Last”: Etta James, Poetry, Hip Hop 209
- Notes 227
- Index 275
- About the Author 287
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Black Resonance 1
- 1. Vivid Lyricism: Richard Wright and Bessie Smith’s Blues 27
- 2. The Timbre of Sincerity: Mahalia Jackson’s Gospel Sound and Ralph Ellison’s Invisible Man 66
- 3. Understatement: James Baldwin, Bessie Smith, and Billie Holiday 99
- 4. Haunting: Gayl Jones’s Corregidora and Billie Holiday’s “Strange Fruit” 137
- 5. Signature Voices: Nikki Giovanni, Aretha Franklin, and the Black Arts Movement 173
- Epilogue. “At Last”: Etta James, Poetry, Hip Hop 209
- Notes 227
- Index 275
- About the Author 287