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Conclusion: “I Know What I Am”: Race and the Triumphant “New Woman”
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: “I Thought That to Seem Was to Be”: Spectacles of Race in the Nineteenth-Century Transatlantic Imaginary 1
- 1. “Stamped and Molded by Pleasure”: The Transnational Mulatta in Jamaica and Saint-Domingue 17
- 2. “Fascinating Allurements of Gold”: New Orleans’s “Copper-Colored Nymphs” and the Tragic Mulatta 37
- 3. “Oh Heavens! What Am I?”: The Tragic Mulatta as Sensation Heroine 65
- 4. “I Wonder What Market He Means That Daughter For”: The Beautiful Jewess and the Tragic Muse 92
- 5. “After All, Living Is but to Play a Part”: The Tragic Mulatta Plays the Tragic Muse 128
- Conclusion: “I Know What I Am”: Race and the Triumphant “New Woman” 159
- Notes 189
- Index 219
- About the Author 225
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: “I Thought That to Seem Was to Be”: Spectacles of Race in the Nineteenth-Century Transatlantic Imaginary 1
- 1. “Stamped and Molded by Pleasure”: The Transnational Mulatta in Jamaica and Saint-Domingue 17
- 2. “Fascinating Allurements of Gold”: New Orleans’s “Copper-Colored Nymphs” and the Tragic Mulatta 37
- 3. “Oh Heavens! What Am I?”: The Tragic Mulatta as Sensation Heroine 65
- 4. “I Wonder What Market He Means That Daughter For”: The Beautiful Jewess and the Tragic Muse 92
- 5. “After All, Living Is but to Play a Part”: The Tragic Mulatta Plays the Tragic Muse 128
- Conclusion: “I Know What I Am”: Race and the Triumphant “New Woman” 159
- Notes 189
- Index 219
- About the Author 225