This publication is presented to you through Paradigm Publishing Services
Rutgers University Press
Chapter
Licensed
Unlicensed
Requires Authentication
5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana
-
Marivel T. Danielson
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- 1. Queering Home: Desire Meets Theory Meets Art 1
- 2. Speaking Selves: Language and Identity in Transition 10
- 3. Moving Violations: Performing the Limits of Representation in Marga Gomez’s jaywalker 41
- 4. The Birdy and the Bees: Queer Chicana Girlhood in Carla Trujillo’s What Night Brings 68
- 5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana 92
- 6. Performing the Erotics of Home: Monica Palacios, Marga Gomez, and Carmelita Tropicana 121
- 7. Dancing with Devils: Gendered Violence in Novels by Emma Pérez and Achy Obejas 144
- 8. Our Art Is Our Weapon: Women of Color Transforming Academia 168
- NOTES 191
- BIBLIOGRAPHY 201
- INDEX 211
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- 1. Queering Home: Desire Meets Theory Meets Art 1
- 2. Speaking Selves: Language and Identity in Transition 10
- 3. Moving Violations: Performing the Limits of Representation in Marga Gomez’s jaywalker 41
- 4. The Birdy and the Bees: Queer Chicana Girlhood in Carla Trujillo’s What Night Brings 68
- 5. Complicating Community: Terri de la Peña, Cristina Serna, Frances Negrón-Muntaner, Ela Troyano, and Carmelita Tropicana 92
- 6. Performing the Erotics of Home: Monica Palacios, Marga Gomez, and Carmelita Tropicana 121
- 7. Dancing with Devils: Gendered Violence in Novels by Emma Pérez and Achy Obejas 144
- 8. Our Art Is Our Weapon: Women of Color Transforming Academia 168
- NOTES 191
- BIBLIOGRAPHY 201
- INDEX 211
