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Toward an Aesthetics of Cinematic Horror
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Steven Jay Schneider
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction: The Dark Genre and Its Paradoxes 1
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The Silent and Classical Hollywood Eras
- Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film 15
- Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars 40
- Children of the Night 58
- The Horrors of War 70
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The Modern Era
- Postmodern Elements of the Contemporary Horror Film 85
- Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film 118
- Toward an Aesthetics of Cinematic Horror 131
- Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre 150
- Mondo Horror: Carnivalizing the Taboo 167
- Horror and Art-Dread 189
- Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho 206
- Developmental Differences in Responses to Horror 224
- The Appeal of Horror and Suspense 242
- Contributors 261
- Index 265
Chapters in this book
- Frontmatter i
- Contents v
- Introduction: The Dark Genre and Its Paradoxes 1
-
The Silent and Classical Hollywood Eras
- Shadow-Souls and Strange Adventures: Horror and the Supernatural in European Silent Film 15
- Before Sound: Universal, Silent Cinema, and the Last of the Horror-Spectaculars 40
- Children of the Night 58
- The Horrors of War 70
-
The Modern Era
- Postmodern Elements of the Contemporary Horror Film 85
- Dread, Taboo, and The Thing: Toward a Social Theory of the Horror Film 118
- Toward an Aesthetics of Cinematic Horror 131
- Scraping Bottom: Splatter and the Herschell Gordon Lewis Oeuvre 150
- Mondo Horror: Carnivalizing the Taboo 167
- Horror and Art-Dread 189
- Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho 206
- Developmental Differences in Responses to Horror 224
- The Appeal of Horror and Suspense 242
- Contributors 261
- Index 265