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7 Jane Austen’s shapely sentence and the differentiation of dialogue from narrative: Towards a clause complex of her own
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction: Ripples in a timeless world 1
- 1 Language, linguistics and verbal art: The contribution of Ruqaiya Hasan to the study of literature 6
- 2 On being a literature teacher: A language based perspective 26
- 3 Software-assisted systemic sociosemantic stylistics – Appraising tru* in J. M. Coetzee’s Foe 53
- 4 The analysis of a sonnet 80
- 5 Foregrounding and defamiliarization in Peter Carey’s ‘Conversations with Unicorns’ 109
- 6 Simone de Beauvoir’s construal of language and literature in Mémoires d’une jeune fille rangée (1958): A Hasanian perspective 132
- 7 Jane Austen’s shapely sentence and the differentiation of dialogue from narrative: Towards a clause complex of her own 166
- 8 Appraisal and master identities in contemporary Spanish crime fiction: The case of Los mares del Sur and its translations into English and German 188
- 9 Striking a chord in the reader: On metaphor as a constituent of the grammar of Verbal Art 211
- 10 Openings in fiction: An approach to verbal art based on Hallidayian, cognitive and Hasanian Principles 232
- 11 ‘That’s not normal rabbit behaviour’: On the track of the grammar of fictional worlds 250
- 12 Future directions in the study of verbal art 278
- Author Index 314
- Subject Index 316
Chapters in this book
- Frontmatter i
- Contents v
- Introduction: Ripples in a timeless world 1
- 1 Language, linguistics and verbal art: The contribution of Ruqaiya Hasan to the study of literature 6
- 2 On being a literature teacher: A language based perspective 26
- 3 Software-assisted systemic sociosemantic stylistics – Appraising tru* in J. M. Coetzee’s Foe 53
- 4 The analysis of a sonnet 80
- 5 Foregrounding and defamiliarization in Peter Carey’s ‘Conversations with Unicorns’ 109
- 6 Simone de Beauvoir’s construal of language and literature in Mémoires d’une jeune fille rangée (1958): A Hasanian perspective 132
- 7 Jane Austen’s shapely sentence and the differentiation of dialogue from narrative: Towards a clause complex of her own 166
- 8 Appraisal and master identities in contemporary Spanish crime fiction: The case of Los mares del Sur and its translations into English and German 188
- 9 Striking a chord in the reader: On metaphor as a constituent of the grammar of Verbal Art 211
- 10 Openings in fiction: An approach to verbal art based on Hallidayian, cognitive and Hasanian Principles 232
- 11 ‘That’s not normal rabbit behaviour’: On the track of the grammar of fictional worlds 250
- 12 Future directions in the study of verbal art 278
- Author Index 314
- Subject Index 316
