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Milton and the Theatrical Sublime
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- The Contributors ix
- Preface xi
- Before and After the Fall: Some Miltonic Patterns of Systasis 1
- Paradise Lost as Mimesis 15
- 'Man as a Probationer of Immortality': Paradise Lost XI-XII 31
- Milton and the Theatrical Sublime 53
- The Embarrassments of Paradise Lost 65
- Paradise Lost: The Anti-Epic 81
- Milton's 'Mortal Voice' and his 'Omnific Word' 99
- 'That Soft Seducer, Love': Dryden's The State of Innocence and Fall of Man 119
- 'Not Without Song': Milton and the Composers 137
- Milton, Andreini, and Galileo: SOME CONSIDERATIONS ON THE MANNER AND FORM OF PARADISE LOST 163
- Beyond Disobedience 181
- 'Within the Visible Diurnal Spheare': the Moving World of Paradise Lost 199
- SPECIAL CONTRIBUTION 223
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- The Contributors ix
- Preface xi
- Before and After the Fall: Some Miltonic Patterns of Systasis 1
- Paradise Lost as Mimesis 15
- 'Man as a Probationer of Immortality': Paradise Lost XI-XII 31
- Milton and the Theatrical Sublime 53
- The Embarrassments of Paradise Lost 65
- Paradise Lost: The Anti-Epic 81
- Milton's 'Mortal Voice' and his 'Omnific Word' 99
- 'That Soft Seducer, Love': Dryden's The State of Innocence and Fall of Man 119
- 'Not Without Song': Milton and the Composers 137
- Milton, Andreini, and Galileo: SOME CONSIDERATIONS ON THE MANNER AND FORM OF PARADISE LOST 163
- Beyond Disobedience 181
- 'Within the Visible Diurnal Spheare': the Moving World of Paradise Lost 199
- SPECIAL CONTRIBUTION 223
