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Notes
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Abbreviations xi
- A Note on Transliteration xiii
- Introduction: The Sincere Voice, or How Sincerity Is Written and Read in Russian, and Not Only Russian, Poetry 1
- 1 The Problem of Sincerity and the Poetic Device in Gavrila Derzhavin’s Odes 25
- 2 Romantic Sincerities I 47
- 3 Romantic Sincerities II: Late-Romantic Sincerities 80
- 4 A Fault Line in Modernism 114
- 5 Poetic Sincerity in the Totalitarian and Post-Totalitarian Context 143
- 6 Case Studies in Turn-of-the-Millennium Sincerity 175
- Conclusion 205
- Appendix: Another Vista on Pushkin’s “Monument” 211
- Notes 215
- References 295
- Index 319
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Abbreviations xi
- A Note on Transliteration xiii
- Introduction: The Sincere Voice, or How Sincerity Is Written and Read in Russian, and Not Only Russian, Poetry 1
- 1 The Problem of Sincerity and the Poetic Device in Gavrila Derzhavin’s Odes 25
- 2 Romantic Sincerities I 47
- 3 Romantic Sincerities II: Late-Romantic Sincerities 80
- 4 A Fault Line in Modernism 114
- 5 Poetic Sincerity in the Totalitarian and Post-Totalitarian Context 143
- 6 Case Studies in Turn-of-the-Millennium Sincerity 175
- Conclusion 205
- Appendix: Another Vista on Pushkin’s “Monument” 211
- Notes 215
- References 295
- Index 319