Chapters in this book

1. Frontmatter i
2. Contents v
3. Illustrations vii
4. Acknowledgments xi
5. Introduction 1
6. PART I. NEW WOMEN, FEMALE AESTHETES, AND THE EMERGENCE OF DECADENCE
7. Chapter one. Impressionistic Photography and the Flâneuse in Amy Levy’s The Romance of a Shop 73
8. Chapter two. The Decay of Marriage in Ella D’Arcy’s Decadent New Woman Fiction 106
9. Chapter three. Mabel Dearmer’s Decadent Way 125
10. PART II. FEMININITY, MASCULINITY, AND FIN-DE-SIÈCLE AESTHETICS
11. Chapter four. “So much too little”: Alice Meynell, Walter Pater, and the Question of Influence 155
12. Chapter five. Richard Le Gallienne and the Rhymers: Masculine Minority in the 1890s 178
13. Chapter six. Max Beerbohm’s “Improved” Intentions and the Aesthetics of Cosmesis 201
14. PART III. WOMEN, BABIES, MOONS – 1890S POETICS
15. Chapter seven. Dollie Radford and the Case of the Disappearing Babies 235
16. Chapter eight. “She hath no air”: Mary Coleridge’s Moon 257
17. PART IV. AESTHETICISM, DECADENCE, AND THE MODERN AGE
18. Chapter nine. Radical Empathy in Dora Sigerson’s The Fairy Changeling (1898) and Broadside Poems of 1916–1917 291
19. Chapter ten. The Boom in Yellow: The Afterlife of the 1890s KRIS 317
20. Contributors 341
21. Index 345
22. THE UCLA CLARK MEMORIAL LIBRARY SERIES 379