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10 Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema
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Anton Pujol
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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
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Part One: The Mavericks and the Barcelona School
- 1 Future Seeds: Some Considerations on the Cinema around Barcelona 92 43
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Part Two: The Jordà Legacy
- 2 The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School 65
- 3 Jordà’s Last Trilogy: Situationist Turn and Subject Transformation 80
- 4 The Militant Cinema of Joaquim Jordà: The Essay Film as Form 102
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Part Three: The Portabella Nexus
- 5 Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos 125
- 6 Pere Portabella’s Radical Theatricality: A Political Gaze over Two Transitions 145
- 7 Traversing the Real with the Reel: Infrapolitical Spectrality in Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort 171
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Part Four: The New (Post) Avant-Garde
- 8 Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín 207
- 9 On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K 231
- 10 Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema 255
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Part Five: Minimalism and Beyond
- 11 Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales 283
- 12 Identity Kit: Where to Meet Isaki Lacuesta 299
- Contributors 333
- Index 339
- Toronto Iberic 355
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction 1
-
Part One: The Mavericks and the Barcelona School
- 1 Future Seeds: Some Considerations on the Cinema around Barcelona 92 43
-
Part Two: The Jordà Legacy
- 2 The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School 65
- 3 Jordà’s Last Trilogy: Situationist Turn and Subject Transformation 80
- 4 The Militant Cinema of Joaquim Jordà: The Essay Film as Form 102
-
Part Three: The Portabella Nexus
- 5 Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos 125
- 6 Pere Portabella’s Radical Theatricality: A Political Gaze over Two Transitions 145
- 7 Traversing the Real with the Reel: Infrapolitical Spectrality in Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort 171
-
Part Four: The New (Post) Avant-Garde
- 8 Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín 207
- 9 On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K 231
- 10 Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema 255
-
Part Five: Minimalism and Beyond
- 11 Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales 283
- 12 Identity Kit: Where to Meet Isaki Lacuesta 299
- Contributors 333
- Index 339
- Toronto Iberic 355