Languages of Trauma
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Edited by:
Peter Leese
, Jason Crouthamel and Julia Barbara Köhne
About this book
Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.
Author / Editor information
Peter Leese is an associate professor in the Department of English, Germanic and Romance Studies at the University of Copenhagen.
Crouthamel Jason :
Jason Crouthamel is a professor in the Department of History at Grand Valley State University.
Köhne Julia Barbara :
Julia Barbara Köhne is FONTE visiting professor in the Faculty of Culture, Social Sciences and Education at Humboldt-University Berlin.
Reviews
"This collection significantly advances trauma studies, a field destined to continue to grow, expand its intellectual purchase and deepen the extent and complexity of its interdisciplinary reach."
Elizabeth Roberts-Pedersen, Senior Lecturer in History, University of Newcastle, Australia:
"Languages of Trauma is a valuable addition to the growing field of trauma studies, most notably for its willingness to engage with topics in a contemporary timeframe, to put cultural representation alongside clinical understandings, to consider the perpetrator as well as the victim/survivor, and to go beyond the Anglo-American experience of the world wars."
Aris Mousoutzanis, Principal Lecturer in Film and Screen Studies, University of Brighton:
"Languages of Trauma provides an introduction to a different strand of trauma theory, outlining critiques of earlier generations in the history of the discipline and analysing new avenues and approaches currently trending. With its scope, ambition, and interdisciplinarity, this book provides a major contribution to research."
Topics
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Frontmatter
i -
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Contents
vii -
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Illustrations
xi -
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Acknowledgments
xiii -
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Intro Introduction: Languages of Trauma
1 - PART ONE. Words and Images
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1 “A Perfect Hell of a Night which We Can Never Forget”: Narratives of Trauma in the Private Writings of British and Irish Nurses in the First World War
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2 Religious Language in German Soldiers’ Narratives of Traumatic Violence, 1914–1918
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3 Languages of the Wound: Finnish Soldiers’ Bodies as Sites of Shock during the Second World War
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4 Efim Segal, Shell-Shocked Sergeant: Red Army Veterans and the Expression and Representation of Trauma Memories
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5 The Falling Man: Resisting and Resistant Visual Media in Art Spiegelman’s In the Shadow of No Towers (2004)
120 - PART TWO. Music, Theatre, and Visual Arts
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6 Performing Songs and Staging Theatre Performances: Working through the Trauma of the 1965/66 Indonesian Mass Killings
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7 Some Things Are Difficult to Say, Re-membered
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8 Performing Memory in an Interdependent Body
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9 Memory and Trauma: Two Contemporary Art Projects
197 - PART THREE. Normalizations of Trauma
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10 Between Social Criticism and Epistemological Critique: Critical Theory and the Normalization of Trauma
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11 The New Normal: Trauma as Successfully Failed Communication in Nurse Betty (2000)
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12 The Exploitation of Trauma: (Mis-)Representations of Rape Victims in the War Film
265 - PART FOUR. Representations in Film
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13 Translating Individual and Collective Trauma through Horror: The Case of George A. Romero’s Martin (1978)
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14 Aesthetic Displays of Perpetrators in The Act of Killing (2012): Post-atrocity Perpetrator Symptoms and Re-enactments of Violence
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15 Perpetrator Trauma and Current American War Cinema
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Coda: Climate Trauma Reconsidered
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Contributors
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Index
403