Social Justice in Spanish Golden Age Theatre
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Edited by:
Erin Cowling
, Tania de Miguel Magro , Mina Garcia Jordán and Glenda Y. Nieto-Cuebas
About this book
This book explores early modern Spanish plays through the lens of social justice, extending its analysis to contemporary adaptations and how they can be used as a tool for achieving social justice today.
Author / Editor information
Erin Alice Cowling is an assistant professor of Spanish at MacEwan University in Edmonton, Canada.
de Miguel Magro Tania :
Tania de Miguel Magro is an associate professor of Spanish at West Virginia University.
Garcia Mina :
Mina Garcia is an associate professor of Spanish at Elon University.
Nieto-Cuebas Glenda Y. :
Glenda Y. Nieto-Cuebas is an associate professor of Modern Foreign Languages at Ohio Wesleyan University
Reviews
“Social Justice in Spanish Golden Age Theatre is a very timely book, given recent push back among certain sectors of the population in terms of the social justice achievements made during the past 60 years. This book will be of interest to scholars and students of what used to be called Spanish ‘Golden Age’ theatre, as well as anyone working on pan-European early modern theatre or those interested more generally in social justice issues.”
Manuel Delgado, Department of Spanish, Bucknell University:
“Focusing on current and past social justice issues, Social Justice in Spanish Golden Age Theatre is a highly original collection of essays dealing with a variety of Golden Age plays, as well as with the contemporary staging of these plays and with the artistic input of theatre directors and adapters. This volume effectively engages modern readers and spectators in issues that transcend pure speculation. The arguments presented are articulate, insightful, clear, and convincing. The analysis takes into consideration relevant and meaningful bibliographical sources on current social justice issues related to social class, gender, Native Americans, distributive / commutative justice, Moriscos, farm workers, and the enemy/other. In their analysis of works by Cervantes, Vélez de Guevara, Salas Barbadillo, Gaspar de Aguilar, Lope de Vega, and Sor Juana Inés de la Cruz, the authors of these critical essays shed new light on the ethical attitudes and thoughts of the aforementioned dramatists.”
Topics
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Erin Alice Cowling and Tania de Miguel Magro Requires Authentication Unlicensed Licensed |
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PART ONE Readings of Comedias
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Harrison Meadows Requires Authentication Unlicensed Licensed |
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Tania de Miguel Magro Requires Authentication Unlicensed Licensed |
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Francisco López-Martín Requires Authentication Unlicensed Licensed |
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Melissa Figueroa Requires Authentication Unlicensed Licensed |
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Moisés R. Castillo Requires Authentication Unlicensed Licensed |
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Jaclyn Cohen-Steinberg Requires Authentication Unlicensed Licensed |
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PART TWO Adaptations
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Erin Alice Cowling Requires Authentication Unlicensed Licensed |
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Glenda Y. Nieto-Cuebas Requires Authentication Unlicensed Licensed |
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Mina García Jordán Requires Authentication Unlicensed Licensed |
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Charles Patterson Requires Authentication Unlicensed Licensed |
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Elena García Martín Requires Authentication Unlicensed Licensed |
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PART THREE Interviews
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