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3. The Fundamental Things in Life According to Scarpa
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Abbreviations ix
- Introduction 1
-
Part One – Anger and Commitment in the Narratives of Tiziano Scarpa: Impegno in a Liquid Age
- Introduction 21
- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics 29
- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader 57
- 3. The Fundamental Things in Life According to Scarpa 77
-
Part Two – Anger and Spaces of Vulnerability in the Narratives of Melania Mazzucco and Monica Stambrini
- Introduction 105
- 4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day 114
- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina 147
-
Part Three – Anger and Love in Spaces of Otherness in the Narratives of Paolo Sorrentino, Simona Vinci, and Veronica Tomassini
- Introduction 175
- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino’s The Consequences of Love 181
- 7. Society, Simulacra, and Love: Simona Vinci’s Stanza 411 204
- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di Cane 229
- Afterword 251
- Notes 261
- Works Cited 299
- Index 317
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Abbreviations ix
- Introduction 1
-
Part One – Anger and Commitment in the Narratives of Tiziano Scarpa: Impegno in a Liquid Age
- Introduction 21
- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics 29
- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader 57
- 3. The Fundamental Things in Life According to Scarpa 77
-
Part Two – Anger and Spaces of Vulnerability in the Narratives of Melania Mazzucco and Monica Stambrini
- Introduction 105
- 4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day 114
- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina 147
-
Part Three – Anger and Love in Spaces of Otherness in the Narratives of Paolo Sorrentino, Simona Vinci, and Veronica Tomassini
- Introduction 175
- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino’s The Consequences of Love 181
- 7. Society, Simulacra, and Love: Simona Vinci’s Stanza 411 204
- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di Cane 229
- Afterword 251
- Notes 261
- Works Cited 299
- Index 317