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2 The Italian Stage in the 1960s
-
Gianluca Rizzo
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Note on Terminology ix
- Introduction 1
- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant- Garde 13
- 2 The Italian Stage in the 1960s 102
- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia 161
- 4 An Introduction to Pagliarani’s Theatre 219
- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti 251
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Interviews
- Interview with Valentina Valentini, Rome, 25 March 2017 323
- Interview with Pippo Di Marca, Rome, 25 March 2017 337
- Interview with Nanni Balestrini, Milan, 4 April 2017 349
- Interview with Giuliano Scabia, Florence, 1 April 2017 357
- Notes 375
- Works Cited 425
- Index 441
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Note on Terminology ix
- Introduction 1
- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant- Garde 13
- 2 The Italian Stage in the 1960s 102
- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia 161
- 4 An Introduction to Pagliarani’s Theatre 219
- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti 251
-
Interviews
- Interview with Valentina Valentini, Rome, 25 March 2017 323
- Interview with Pippo Di Marca, Rome, 25 March 2017 337
- Interview with Nanni Balestrini, Milan, 4 April 2017 349
- Interview with Giuliano Scabia, Florence, 1 April 2017 357
- Notes 375
- Works Cited 425
- Index 441
