4. “Shadows Have No Voice”: Democratic Memory In Felipe Hernández Cava And Federico Del Barrio’s El Artefacto Perverso (1996) And Francisco And Miguel Gallardo’s Un Largo Silencio (1997)

Chapters in this book

1. Frontmatter i
2. Contents v
3. List Of Figures vii
4. Acknowledgments xi
5. 1. Comics In Contemporary Spain 1
6. Part One. Comics And Historical Memory
7. 2. Drawing (On) Spanish History 31
8. 3. Comics, History, And Memory In The ’90s: Las Memorias De Amorós 65
9. 4. “Shadows Have No Voice”: Democratic Memory In Felipe Hernández Cava And Federico Del Barrio’s El Artefacto Perverso (1996) And Francisco And Miguel Gallardo’s Un Largo Silencio (1997) 100
10. Part Two: Comics And Economic Crisis
11. 5. Building A Home For Crisis Narrative: Intermediality And Comic(s) Pedagogy In Aleix Saló’s Españistán Project 137
12. 6. Urban Ecology And Comics Journalism In Jorge Carrión And Sagar Forniés’s Barcelona: Los Vagabundos De La Chatarra (2015) 164
13. Part Three: Comics And Personhood
14. 7. Post-Op In The Real World: Cancer And Queer Resistance In Isabel Franc And Susanna Martín’s Alicia En Un Mundo Real (2011) 195
15. 8. How To Explain Comics To A Dead Hare: Intertextuality And Crisis In Rosana Antolí’s Neo-Surrealist Graphic Novel Pareidolia (2014) 220
16. Contributors 253
17. Index 255