Goodbye Eros
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Edited by:
Ana Laguna
and John Beusterien
About this book
A surfeit of tropes about love exhausted Spanish literature in the age of Cervantes. This book provides a pioneering look at the rich array of ways in which Spanish Golden Age authors responded by crafting a new literary aesthetic.
Author / Editor information
Ana Maria Laguna is an associate professor of Spanish at Rutgers University-Camden.
Beusterien John :
John Beusterien is a professor of Spanish at Texas Tech University.
Reviews
"The chapters gathered in Goodbye Eros: Recasting Forms and Norms of Love in the Age of Cervantes contribute a fresh approach to the critical dialogue as they highlight still contested issues pertaining to race, religion, politics, ethics, and sexuality, and further illustrate Cervantes’ universal and timeless relevance."
Sherry Velasco:
"In looking back on Cervantine cultural criticism, we find that there is an unspoken invitation to consider how our current generation of Cervantistas will be evaluated by scholars later in the twenty-first century. In the meantime, we can appreciate the creative and innovative approaches in Goodbye Eros, knowing that these erudite essays will surely inspire similarly provocative work in the future."
Luis Avilés, Department of Spanish and Portuguese, University of California, Irvine:
"Goodbye Eros is a fundamental contribution to the field. The central objectives, centered on love, visual representation, as well as race and gender issues, are well developed and achieved. This book will be of interest to all scholars of early modern Spain, especially those teaching courses on Cervantes and love, or more generally, sexuality and desire."
Robert Bayliss, Department of Spanish and Portuguese, University of Kansas:
"Goodbye Eros offers a welcome critical focus, as eros as understood in this period is studied less often in recent years than it should be, given its central role in the period’s literature."
Topics
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Ana María Laguna and John Beusterien Requires Authentication Unlicensed Licensed |
1 |
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Part I. Ambiguous Optics: Reframing Perception, Gender Subjectivity, and Genre Convention
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Joan Cammarata and Ana María Laguna Requires Authentication Unlicensed Licensed |
33 |
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Mercedes Alcalá Galán Requires Authentication Unlicensed Licensed |
53 |
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Part II. Reasoning the Unreasonable: Toward a Rationale of Love
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Eric Clifford Graf Requires Authentication Unlicensed Licensed |
83 |
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Eli Cohen Requires Authentication Unlicensed Licensed |
117 |
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Jesús Maestro Requires Authentication Unlicensed Licensed |
136 |
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Part III. Kissing between the Lines: Blurring Racial and Sexual Norms
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Adrienne L. Martín Requires Authentication Unlicensed Licensed |
157 |
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Christina Lee Requires Authentication Unlicensed Licensed |
177 |
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John Beusterien Requires Authentication Unlicensed Licensed |
191 |
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Part IV. Recasting Epic and Heroic Moulds
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Diana De Armas Wilson Requires Authentication Unlicensed Licensed |
221 |
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Jason Mccloskey Requires Authentication Unlicensed Licensed |
230 |
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Ana María Laguna Requires Authentication Unlicensed Licensed |
247 |
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271 |
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275 |
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283 |