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2.2 Butterfly in the Bush Garden: ‘Mythopoeic’ Criticism of Contemporary Poetry Written in Canada

  • Barbara Belyea
© 2016 University of Toronto Press, Toronto

© 2016 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments xi
  4. Introduction Incorporating Legacies: Decolonizing the Garrison 3
  5. Part I. The Confluence of the Mythopoeic and the Thematic: Frye and Canada
  6. 1.1 The Canadian Poet’s Predicament 31
  7. 1.2 ‘This Northern Mouth’: Ideas of Myth and Regionalism in Modern Canadian Poetry 44
  8. 1.3 Myth, Frye, and Canadian Writers 61
  9. 1.4 Northrop Frye: Canadian Mythographer 79
  10. 1.5 Frye in Place 93
  11. Part II. Frye’s Influence on the Canadian Literary and Critical Imagination: Challenging the Legacy
  12. 2.1 Why James Reaney Is a Better Poet (1) than any Northrop Frye poet (2) than he used to be 111
  13. 2.2 Butterfly in the Bush Garden: ‘Mythopoeic’ Criticism of Contemporary Poetry Written in Canada 122
  14. 2.3 Surviving the Paraphrase 133
  15. 2.4 Mandatory Subversive Manifesto: Canadian Criticism versus Literary Criticism 144
  16. 2.5 Bushed in the Sacred Wood 155
  17. Part III. Frye’s Canadian Criticism and the Making of Canadian Literary and Critical Culture
  18. 3.1 Northrop Frye and the Canadian Literary Tradition 171
  19. 3.2 Retrieving the Canadian Critical Tradition as Poetry: Eli Mandel and Northrop Frye 184
  20. 3.3 Against Monism: The Canadian Anatomy of Northrop Frye 203
  21. 3.4 Reading for Contradiction in the Literature of Colonial Space 216
  22. 3.5 Frye Recoded: Postmodernity and the Conclusions 233
  23. 3.6 Frye: Canadian Critic/Writer 251
  24. 3.7 ‘A Quest for the Peaceable Kingdom’: The Narrative in Northrop Frye’s ‘Conclusion’ to the Literary History of Canada 260
  25. Epilogue
  26. The Northrop Frye Effect 279
  27. Select Bibliography 303
  28. Contributors 313
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