Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. 1. Introduction 1
5. 2. Marginals, Metaphors, and Mimesis 12
6. 3. National Construction: Quebec’s Modernity at Expo 67 31
7. 4. National Reflection: Michel Tremblay’s Les belles-soeurs and le nouveau théâtre québécois 60
8. 5. National Simulation: Marco Micone’s culture immigrée 89
9. 6. National Metonymy: Arresting Images in the Devised Works of Carbone 14 114
10. 7. National Affection: Céline Dion 142
11. 8. Conclusion: Feminist (Re)production 170
12. Notes 189
13. References 209
14. Index 237