Armour and Masculinity in the Italian Renaissance
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Carolyn Springer
About this book
A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form.
Author / Editor information
Carolyn Springer is a professor in the Department of French and Italian at Stanford University.
Reviews
βThis thematic study deftly explores the multivalent, often contradictory meanings generated by armour and its representation and excavates the social, political, and economic networks created and fostered by its fabrication, gifting, and viewing.β
Albert R. Ascoli, Gladys Arata Terrill Distinguished Professor of Italian Studies, University of California, Berkeley:
'Armour and Masculinity in the Italian Renaissance is a fascinating introduction to the cultural symbolism of armour and its physical, visual, and verbal interpretations in sixteenth-century Italy. Carolyn Springer's writing is clear, intelligent, and witty as she adroitly links her subject to recent discourses concerning power and gender as mediated through representations of the body.'
Topics
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Frontmatter
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Contents
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List of Illustrations
vii -
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Photograph Credits
xi -
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Acknowledgments
xiii -
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Introduction
1 - PART ONE: ARMOURED BODIES
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1. The Classical Body: The Poetics of the Bella Figura
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2. The Sacred Body: The Armour of Sacrifice
37 -
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3. The Grotesque Body: Tropes and Apotropes
54 - PART TWO: STUDIES IN SELF-FASHIONING
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4. Guidobaldo II della Rovere (1514β74)
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5. Charles V Habsburg (1500β58)
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6. Cosimo I deβ Medici (1519β74)
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Conclusion
160 -
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Glossary
165 -
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Notes
167 -
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Bibliography
217 -
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Index
237