This publication is presented to you through Paradigm Publishing Services
University of Toronto Press
Chapter
Licensed
Unlicensed
Requires Authentication
14. Nation and/as Adaptation: Shakespeare, Canada, and Authenticity
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations ix
- Preface xi
- Introduction: Shakespeare in Canada: 4a world elsewhere'? 1
-
PART ONE. Beginnings: Institutionalizing Shakespeare
- 1. Pioneer Shakespeare Culture: Reverend Henry Scadding and His Shakespeare Display at the 1892 Toronto Industrial Exhibition 43
- 2. The Imperial Theme: The Shakespeare Society of Toronto, 1928 – 1969 66
- 3. 'A Stage for the Word': Shakespeare on CBC Radio, 1947 – 1955 92
- 4. Stratford and the Aspirations for a Canadian National Theatre 108
-
PART TWO. Shakespeare on Stage
- 5. Shakespeare Canadiens at the Stratford Festival 137
- 6. A National Hamlet? Stratford's Legacy of Twentieth-Century Productions 159
- 7. 'Le Re-making' of le grand Will: Shakespeare in Francophone Quebec 174
- 8. Learning to Curse in Accurate Iambics: Shakespeare in Newfoundland 192
- 9. Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear 212
-
PART THREE. Critical Debates and Traditions
- 10. Continuity and Contradiction: University Actors Meet the Universal Bard 231
- 11. Canadian Bacon 255
- 12. Canada, Negative Capability, Cymbeline 274
- 13. Frye's Shakespeare, Frye's Canada 292
-
PART FOUR. Reimagining Shakespaeare
- 14. Nation and/as Adaptation: Shakespeare, Canada, and Authenticity 309
- 15. Undead and Unsafe: Adapting Shakespeare (in Canada) 339
- 16. Normand Chaurette's Les Reiner. Shakespeare and the Modern in the Alchemical Oven 353
- 17. Othello in Three Times 371
- Afterword. Relocating Shakespeare, Redefining Canada 395
- Appendix. Research Opportunities in Canadian Shakespeare 410
- References 417
- Contributors 455
- Index 461
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations ix
- Preface xi
- Introduction: Shakespeare in Canada: 4a world elsewhere'? 1
-
PART ONE. Beginnings: Institutionalizing Shakespeare
- 1. Pioneer Shakespeare Culture: Reverend Henry Scadding and His Shakespeare Display at the 1892 Toronto Industrial Exhibition 43
- 2. The Imperial Theme: The Shakespeare Society of Toronto, 1928 – 1969 66
- 3. 'A Stage for the Word': Shakespeare on CBC Radio, 1947 – 1955 92
- 4. Stratford and the Aspirations for a Canadian National Theatre 108
-
PART TWO. Shakespeare on Stage
- 5. Shakespeare Canadiens at the Stratford Festival 137
- 6. A National Hamlet? Stratford's Legacy of Twentieth-Century Productions 159
- 7. 'Le Re-making' of le grand Will: Shakespeare in Francophone Quebec 174
- 8. Learning to Curse in Accurate Iambics: Shakespeare in Newfoundland 192
- 9. Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear 212
-
PART THREE. Critical Debates and Traditions
- 10. Continuity and Contradiction: University Actors Meet the Universal Bard 231
- 11. Canadian Bacon 255
- 12. Canada, Negative Capability, Cymbeline 274
- 13. Frye's Shakespeare, Frye's Canada 292
-
PART FOUR. Reimagining Shakespaeare
- 14. Nation and/as Adaptation: Shakespeare, Canada, and Authenticity 309
- 15. Undead and Unsafe: Adapting Shakespeare (in Canada) 339
- 16. Normand Chaurette's Les Reiner. Shakespeare and the Modern in the Alchemical Oven 353
- 17. Othello in Three Times 371
- Afterword. Relocating Shakespeare, Redefining Canada 395
- Appendix. Research Opportunities in Canadian Shakespeare 410
- References 417
- Contributors 455
- Index 461