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14. Nation and/as Adaptation: Shakespeare, Canada, and Authenticity

© 2016 University of Toronto Press, Toronto

© 2016 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations ix
  4. Preface xi
  5. Introduction: Shakespeare in Canada: 4a world elsewhere'? 1
  6. PART ONE. Beginnings: Institutionalizing Shakespeare
  7. 1. Pioneer Shakespeare Culture: Reverend Henry Scadding and His Shakespeare Display at the 1892 Toronto Industrial Exhibition 43
  8. 2. The Imperial Theme: The Shakespeare Society of Toronto, 1928 – 1969 66
  9. 3. 'A Stage for the Word': Shakespeare on CBC Radio, 1947 – 1955 92
  10. 4. Stratford and the Aspirations for a Canadian National Theatre 108
  11. PART TWO. Shakespeare on Stage
  12. 5. Shakespeare Canadiens at the Stratford Festival 137
  13. 6. A National Hamlet? Stratford's Legacy of Twentieth-Century Productions 159
  14. 7. 'Le Re-making' of le grand Will: Shakespeare in Francophone Quebec 174
  15. 8. Learning to Curse in Accurate Iambics: Shakespeare in Newfoundland 192
  16. 9. Liberal Shakespeare and Illiberal Critiques: Necessary Angel's King Lear 212
  17. PART THREE. Critical Debates and Traditions
  18. 10. Continuity and Contradiction: University Actors Meet the Universal Bard 231
  19. 11. Canadian Bacon 255
  20. 12. Canada, Negative Capability, Cymbeline 274
  21. 13. Frye's Shakespeare, Frye's Canada 292
  22. PART FOUR. Reimagining Shakespaeare
  23. 14. Nation and/as Adaptation: Shakespeare, Canada, and Authenticity 309
  24. 15. Undead and Unsafe: Adapting Shakespeare (in Canada) 339
  25. 16. Normand Chaurette's Les Reiner. Shakespeare and the Modern in the Alchemical Oven 353
  26. 17. Othello in Three Times 371
  27. Afterword. Relocating Shakespeare, Redefining Canada 395
  28. Appendix. Research Opportunities in Canadian Shakespeare 410
  29. References 417
  30. Contributors 455
  31. Index 461
Shakespeare in Canada
This chapter is in the book Shakespeare in Canada
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