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Nicole Horejsi
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction 3
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PART 1. Demythologizing Dido: Epic and Romance
- 1. “Pulcherrima Dido”: Jane Barker and the Epic of Exile 25
- 2. “What Is There of a Woman Worth Relating?” Revising the Aeneid in Henry Fielding’s Amelia 54
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PART 2. Mythologizing Cleopatra: Romance Historiography and the Queens of Egypt
- 3. “A Pattern to Ensuing Ages”: Reinventing Historical Practice in Charlotte Lennox’s Female Quixote 89
- 4. Performing Augustan History in Sarah Fielding’s Lives of Cleopatra and Octavia 125
- 5. Whose “Wild and Extravagant Stories”? Clara Reeve’s The Progress of Romance and The History of Charoba, Queen of Ægypt 166
- Epilogue 199
- Notes 209
- Bibliography 249
- Index 269
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- Introduction 3
-
PART 1. Demythologizing Dido: Epic and Romance
- 1. “Pulcherrima Dido”: Jane Barker and the Epic of Exile 25
- 2. “What Is There of a Woman Worth Relating?” Revising the Aeneid in Henry Fielding’s Amelia 54
-
PART 2. Mythologizing Cleopatra: Romance Historiography and the Queens of Egypt
- 3. “A Pattern to Ensuing Ages”: Reinventing Historical Practice in Charlotte Lennox’s Female Quixote 89
- 4. Performing Augustan History in Sarah Fielding’s Lives of Cleopatra and Octavia 125
- 5. Whose “Wild and Extravagant Stories”? Clara Reeve’s The Progress of Romance and The History of Charoba, Queen of Ægypt 166
- Epilogue 199
- Notes 209
- Bibliography 249
- Index 269