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Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello’s Prose Narrative to the Stage

© 2017 University of Toronto Press, Toronto

© 2017 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface vii
  4. Chapter One. Imitation: The Link between Past and Present 1
  5. Chapter Two. Machiavelli’s Mandragola 26
  6. Chapter Three. Clizia: From Stage to Stage 45
  7. Chapter Four. Cecchi’s Assiuolo: An Apian Imitation 64
  8. Chapter Five. Groto’s Emilia: Fiction Meets Reality 84
  9. Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello’s Prose Narrative to the Stage 105
  10. Chapter Seven. Orbecche: Giraldi’s Imitation of His Own Prose Narrative 128
  11. Chapter Eight. Dolce’s Marianna: From History to the Stage 148
  12. Conclusion 167
  13. Notes 173
  14. Bibliography 199
  15. Index 213
The Poetics of Imitation in the Italian Theatre of the Renaissance
This chapter is in the book The Poetics of Imitation in the Italian Theatre of the Renaissance
https://doi.org/10.3138/9781442667334-007

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface vii
  4. Chapter One. Imitation: The Link between Past and Present 1
  5. Chapter Two. Machiavelli’s Mandragola 26
  6. Chapter Three. Clizia: From Stage to Stage 45
  7. Chapter Four. Cecchi’s Assiuolo: An Apian Imitation 64
  8. Chapter Five. Groto’s Emilia: Fiction Meets Reality 84
  9. Chapter Six. Gli duoi fratelli rivali: Della Porta Adapts Bandello’s Prose Narrative to the Stage 105
  10. Chapter Seven. Orbecche: Giraldi’s Imitation of His Own Prose Narrative 128
  11. Chapter Eight. Dolce’s Marianna: From History to the Stage 148
  12. Conclusion 167
  13. Notes 173
  14. Bibliography 199
  15. Index 213
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