Chapters in this book

1. Frontmatter i
2. Contents v
3. Illustrations ix
4. REMEMBERING MASS VIOLENCE. Oral History, New Media, and Performance 1
5. Introduction 3
6. Part One: Turning Private History into Public Knowledge
7. 1. Voices, Places, and Spaces 35
8. 2. So Far from Home 49
9. Part Two: Performing Human Rights
10. 3. Soldiers’ Tales Untold: Trauma, Narrative, and Remembering through Performance 63
11. 4. Lamentations: A Gestural Theatre in the Realm of Shadows 77
12. 5. Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project 91
13. 6. Stories Scorched from the Desert Sun: Performing Testimony, Narrating Process 111
14. Part Three: Oral History and Digital Media
15. 7. Oral History in the Age of Social Media Networks: Life Stories on CitizenShift and Parole Citoyenne 131
16. 8. Co-Creating Our Story: Making a Documentary Film 152
17. 9. Connecting the Dots: Memory and Multimedia in Northern Uganda 171
18. 10. Arrival Stories: Using Media to Create Connections in a Refugee Residence 184
19. Part Four: Life Stories
20. 11. “So You Want to Hear Our Ghetto Stories?” Oral History at Ndinawe Youth Resource Centre 203
21. 12. Dishonour, Dispersion, and Dispossession: Race and Rights in Twenty-First-Century North America – A View from the Lower Ninth Ward 219
22. 13. The Romance of Reminiscence: Problems Posed in Life Histories with Activist Pensioners in Argentina 236
23. 14. Mémoires des Migrations de juifs marocains à Montréal 250
24. Part Five: Rwanda in the Aftermath of Genocide
25. 15. Viols des femmes tutsi pendant le génocide: Témoignage de Mme Mukarwego 277
26. 16. Les viols pendant le génocide des Tutsi : Un crime d’envie 282
27. 17. Hearing the Untold Story: Documenting LGBTI Lives in Rwanda 297
28. Afterword 316
29. Bibliography 321
30. Contributors 337
31. Index 341