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23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures

  • Martin Zeilinger and Eli Horwatt
© 2018 University of Toronto Press, Toronto

© 2018 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture 1
  4. PART A. The Canadian Copyright Context
  5. I Provocations: Fair Dealing as Right, Speech, Duty, and Practice
  6. 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play 43
  7. 2 From the Right to Copy to Practices of Copying 56
  8. II Recognizing the Canadian Public Domain
  9. 3 The Canadian Public Domain: What, Where, and to What End? 65
  10. 4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property 82
  11. 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation 90
  12. III Infrastructures for Fair Dealing
  13. 6 Resisting Enclosure: Licences, Authorship, and the Commons 100
  14. 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons 113
  15. 8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada 124
  16. 9 Net Neutrality and the Threat to Open Cultural Expression 133
  17. IV Experiments in Pedagogy and Diversity
  18. 10 Copyright and Access to Media for People with Perceptual Disabilities 144
  19. 11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom 154
  20. 12 Hacking Education: How Openness and Sharing Can Transform Learning 164
  21. PART B. Mediations
  22. I Digital Publishing
  23. 13 Open Access Publishing and Academic Research 177
  24. 14 Open Access Mandates and the Fair Dealing Button 189
  25. II Principles and Practices of Heritage Management
  26. 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms 201
  27. 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain 213
  28. 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? 225
  29. III The Work of Poetics
  30. 18 Parodists’ Rights and Copyright in a Digital Canada 237
  31. 19 Robin Hood of the Avant-Garde 251
  32. 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices 261
  33. PART C. Making Our Digital Heritage a Dynamic One
  34. I Documenting Pasts and Assessing Virtual Futures
  35. 21 Copyright Dramas: Theatre Archives and Collections Online 273
  36. 22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp 284
  37. 23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures 294
  38. II Recombinant Creativity
  39. 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music 305
  40. 25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright 317
  41. 26 Friction over Fan Fiction 327
  42. 27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures 336
  43. AFTERWORD: Reflections
  44. Deal with It 349
  45. Pull Up the Stakes and Fill in the Ditches 354
  46. References 361
  47. Acknowledgments 417
  48. Contributors 419
  49. Index 425
Dynamic Fair Dealing
This chapter is in the book Dynamic Fair Dealing
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