This publication is presented to you through Paradigm Publishing Services
University of Toronto Press
Chapter
Licensed
Unlicensed
Requires Authentication
23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures
-
Martin Zeilinger
and Eli Horwatt
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents v
- Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture 1
-
PART A. The Canadian Copyright Context
-
I Provocations: Fair Dealing as Right, Speech, Duty, and Practice
- 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play 43
- 2 From the Right to Copy to Practices of Copying 56
-
II Recognizing the Canadian Public Domain
- 3 The Canadian Public Domain: What, Where, and to What End? 65
- 4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property 82
- 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation 90
-
III Infrastructures for Fair Dealing
- 6 Resisting Enclosure: Licences, Authorship, and the Commons 100
- 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons 113
- 8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada 124
- 9 Net Neutrality and the Threat to Open Cultural Expression 133
-
IV Experiments in Pedagogy and Diversity
- 10 Copyright and Access to Media for People with Perceptual Disabilities 144
- 11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom 154
- 12 Hacking Education: How Openness and Sharing Can Transform Learning 164
-
PART B. Mediations
-
I Digital Publishing
- 13 Open Access Publishing and Academic Research 177
- 14 Open Access Mandates and the Fair Dealing Button 189
-
II Principles and Practices of Heritage Management
- 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms 201
- 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain 213
- 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? 225
-
III The Work of Poetics
- 18 Parodists’ Rights and Copyright in a Digital Canada 237
- 19 Robin Hood of the Avant-Garde 251
- 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices 261
-
PART C. Making Our Digital Heritage a Dynamic One
-
I Documenting Pasts and Assessing Virtual Futures
- 21 Copyright Dramas: Theatre Archives and Collections Online 273
- 22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp 284
- 23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures 294
-
II Recombinant Creativity
- 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music 305
- 25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright 317
- 26 Friction over Fan Fiction 327
- 27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures 336
-
AFTERWORD: Reflections
- Deal with It 349
- Pull Up the Stakes and Fill in the Ditches 354
- References 361
- Acknowledgments 417
- Contributors 419
- Index 425
Chapters in this book
- Frontmatter i
- Contents v
- Introducing Dynamic Fair Dealing: Creating Canadian Digital Culture 1
-
PART A. The Canadian Copyright Context
-
I Provocations: Fair Dealing as Right, Speech, Duty, and Practice
- 1 Copyright and Freedom of Expression: Fair Dealing between Work and Play 43
- 2 From the Right to Copy to Practices of Copying 56
-
II Recognizing the Canadian Public Domain
- 3 The Canadian Public Domain: What, Where, and to What End? 65
- 4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property 82
- 5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation 90
-
III Infrastructures for Fair Dealing
- 6 Resisting Enclosure: Licences, Authorship, and the Commons 100
- 7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons 113
- 8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada 124
- 9 Net Neutrality and the Threat to Open Cultural Expression 133
-
IV Experiments in Pedagogy and Diversity
- 10 Copyright and Access to Media for People with Perceptual Disabilities 144
- 11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom 154
- 12 Hacking Education: How Openness and Sharing Can Transform Learning 164
-
PART B. Mediations
-
I Digital Publishing
- 13 Open Access Publishing and Academic Research 177
- 14 Open Access Mandates and the Fair Dealing Button 189
-
II Principles and Practices of Heritage Management
- 15 The Evolution of Cultural Heritage Ethics via Human Rights Norms 201
- 16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain 213
- 17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? 225
-
III The Work of Poetics
- 18 Parodists’ Rights and Copyright in a Digital Canada 237
- 19 Robin Hood of the Avant-Garde 251
- 20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices 261
-
PART C. Making Our Digital Heritage a Dynamic One
-
I Documenting Pasts and Assessing Virtual Futures
- 21 Copyright Dramas: Theatre Archives and Collections Online 273
- 22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp 284
- 23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures 294
-
II Recombinant Creativity
- 24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music 305
- 25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright 317
- 26 Friction over Fan Fiction 327
- 27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures 336
-
AFTERWORD: Reflections
- Deal with It 349
- Pull Up the Stakes and Fill in the Ditches 354
- References 361
- Acknowledgments 417
- Contributors 419
- Index 425