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3. Back to the Future – Littorally: Annotating the Historical Page
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William W.E. Slights
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Architectures, Ideologies, and Materials of the Page 1
- 1. Turning the Page 27
- 2. Decolonizing the Medieval Page 37
- 3. Back to the Future – Littorally: Annotating the Historical Page 71
- 4. Nicholas Jenson and the Form of the Renaissance Printed Page 91
- 5. Print Culture and Decolonizing the University: Indigenizing the Page: Part 1 111
- 6. Print Culture and Decolonizing the University: Indigenizing the Page: Part 2 125
- 7. Visible and Invisible Books: Hermetic Images in N-Dimensional Space 143
- 8. James Joyce’s Ulysses on the Page and on the Screen 159
- 9. Our Bodies Are Not Final 177
- 10. The Processual Page: Materiality and Consciousness in Print and Hypertext 201
- 11. Virtually Human: The Electronic Page, the Archived Body, and Human Identity 231
- 12. Artist’s Pages: Decolonizing Tactics in ‘Writing Space’ 255
- Contributors 271
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Architectures, Ideologies, and Materials of the Page 1
- 1. Turning the Page 27
- 2. Decolonizing the Medieval Page 37
- 3. Back to the Future – Littorally: Annotating the Historical Page 71
- 4. Nicholas Jenson and the Form of the Renaissance Printed Page 91
- 5. Print Culture and Decolonizing the University: Indigenizing the Page: Part 1 111
- 6. Print Culture and Decolonizing the University: Indigenizing the Page: Part 2 125
- 7. Visible and Invisible Books: Hermetic Images in N-Dimensional Space 143
- 8. James Joyce’s Ulysses on the Page and on the Screen 159
- 9. Our Bodies Are Not Final 177
- 10. The Processual Page: Materiality and Consciousness in Print and Hypertext 201
- 11. Virtually Human: The Electronic Page, the Archived Body, and Human Identity 231
- 12. Artist’s Pages: Decolonizing Tactics in ‘Writing Space’ 255
- Contributors 271