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VI. The impossible 'mimesis': Description and metadescription in Carlos de Oliveira's Finisterra
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Chapters in this book
- Frontmatter i
- Contents v
- Foreword vii
- Acknowledgments xi
- Introduction 1
- I. Towards a framework for the analysis of description in prose fiction 6
- II. Description and mise en abyme in Zola's line Page d'amour 28
- III. Reading of visual images and postcard descriptions in Claude Simon's Histoire 51
- IV. The sarcastic descriptor: Satire and parody in Benito Perez Galdos' La de Bringas 68
- V. Description and modes of representation in Cornelio Penna's A Menina Morta 91
- VI. The impossible 'mimesis': Description and metadescription in Carlos de Oliveira's Finisterra 115
- Conclusion 142
- Notes 151
- Bibliography 167
- Index 179
Chapters in this book
- Frontmatter i
- Contents v
- Foreword vii
- Acknowledgments xi
- Introduction 1
- I. Towards a framework for the analysis of description in prose fiction 6
- II. Description and mise en abyme in Zola's line Page d'amour 28
- III. Reading of visual images and postcard descriptions in Claude Simon's Histoire 51
- IV. The sarcastic descriptor: Satire and parody in Benito Perez Galdos' La de Bringas 68
- V. Description and modes of representation in Cornelio Penna's A Menina Morta 91
- VI. The impossible 'mimesis': Description and metadescription in Carlos de Oliveira's Finisterra 115
- Conclusion 142
- Notes 151
- Bibliography 167
- Index 179