Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Foreword xi
5. Acknowledgments xiii
6. Antimodernism and Artistic Experience: An Introduction 1
7. Part One
8. 1. Introduction to Part One: Around and About Modernity: Some Comments on Themes of Primitivism and Modernism 13
9. 2. Performing the Native Woman: Primitivism and Mimicry in Early Twentieth-Century Visual Culture 26
10. 3. The Colonial Lens: Gauguin, Primitivism, and Photography in the Fin de siècle 50
11. 4. Emily Carr and the Traffic in Native Images 71
12. Part Two.
13. 5. Introduction to Part Two: Staging Antimodernism in the Age of High Capitalist Nationalism 97
14. 6. Modernists and Folk on the Lower St Lawrence: The Problem of Folk Art 104
15. 7. Handicrafts and the Logic of 'Commercial Antimodernism': The Nova Scotia Case 117
16. 8. Bushwhackers in the Gallery: Antimodernism and the Group of Seven 130
17. Part Three
18. 9. Introduction to Part Three: Modernity, Nostalgia, and the Standardization of Time 155
19. 10. Artisans and Art Nouveau in Fin-de-siecle Belgium: Primitivism and Nostalgia 165
20. 11. Van Gogh in the South: Antimodernism and Exoticism in the Arlesian Paintings 177
21. 12. Plays without People: Shadow Puppets of Modernity in Fin-de-siècle Paris 192
22. 13. Primitivism in Sweden: Dormant Desire or Fictional Identity? 206
23. Selected Bibliography 215
24. Contributors 221