Artikel
Open Access
Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
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Norbert Schneider
Veröffentlicht/Copyright:
24. September 2009
Published Online: 2009-09-24
Published in Print: 2009-09-01
© 2009 by Walter de Gruyter Berlin/Boston
Artikel in diesem Heft
- Introductory: Gombrich's Struggle Against Metaphysics
- Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
- Sir Ernst Gombrich and the Barber from Tuscany
- Gombrich and the Problem of Relativity of Vision
- E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity?
- Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
- E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism
- Ten Reasons Why E. H. Gombrich is not Connected to Art History
- Privatization and the Social Value of Water in Africa
- John Dewey's Ethics: Democracy as Experience
Schlagwörter für diesen Artikel
criterion of simplicity;
searchlight theory;
compositional schemas;
Viennese School;
social history of art
Artikel in diesem Heft
- Introductory: Gombrich's Struggle Against Metaphysics
- Form of Thought and Presentational Gesture in Karl Popper and E. H. Gombrich
- Sir Ernst Gombrich and the Barber from Tuscany
- Gombrich and the Problem of Relativity of Vision
- E. H. Gombrich's Adoption of the Formula form Follows Function: A Case of Mistaken Identity?
- Cold-War Twins: Mikhail Alpatov's a Universal History of Arts and Ernst Gombrich's the Story of Art
- E. H. Gombrich in 1968: Methodological Individualism and the Contradictions of Conservatism
- Ten Reasons Why E. H. Gombrich is not Connected to Art History
- Privatization and the Social Value of Water in Africa
- John Dewey's Ethics: Democracy as Experience
