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Multilingual Matters
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- The Contributors vii
- Introduction xi
- Chapter 1. Creative Writing in the University 1
- Chapter 2. The Novel and the Academic Novel 10
- Chapter 3. Let Stones Speak: New Media Remediation in the Poetry Writing Classroom 21
- Chapter 4. That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study 36
- Chapter 5. Six Texts Prefigure a Seventh 48
- Chapter 6. Sleeping With Proust vs. Tinkering Under the Bonnet1: The Origins and Consequences of the American and British Approaches to Creative Writing in Higher Education 66
- Chapter 7. Workshopping the Workshop and Teaching the Unteachable 75
- Chapter 8. Creating an Integrated Model for Teaching Creative Writing: One Approach 88
- Chapter 9. Gonzo-Formalism: A Creative Writing Meta-Pedagogy for Non-Traditional Students 101
- Chapter 10. Acting, Interacting and Acting Up: Teaching Collaborative Creative Practice 117
- Chapter 11. Writer as Teacher, Teacher as Writer 130
- Chapter 12. The Ladies and the Baggage: Raymond Carver’s Suppressed Research and the Apologetic Short Story 141
- Chapter 13. A Translator’s Tale 152
- Afterword 165
- Index 168
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- The Contributors vii
- Introduction xi
- Chapter 1. Creative Writing in the University 1
- Chapter 2. The Novel and the Academic Novel 10
- Chapter 3. Let Stones Speak: New Media Remediation in the Poetry Writing Classroom 21
- Chapter 4. That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study 36
- Chapter 5. Six Texts Prefigure a Seventh 48
- Chapter 6. Sleeping With Proust vs. Tinkering Under the Bonnet1: The Origins and Consequences of the American and British Approaches to Creative Writing in Higher Education 66
- Chapter 7. Workshopping the Workshop and Teaching the Unteachable 75
- Chapter 8. Creating an Integrated Model for Teaching Creative Writing: One Approach 88
- Chapter 9. Gonzo-Formalism: A Creative Writing Meta-Pedagogy for Non-Traditional Students 101
- Chapter 10. Acting, Interacting and Acting Up: Teaching Collaborative Creative Practice 117
- Chapter 11. Writer as Teacher, Teacher as Writer 130
- Chapter 12. The Ladies and the Baggage: Raymond Carver’s Suppressed Research and the Apologetic Short Story 141
- Chapter 13. A Translator’s Tale 152
- Afterword 165
- Index 168