References

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Introduction. The “Labor” of Racialized Media: Stuart Hall and the Circuit of Culture 1
4. Part I. How Racialized Media Is Designed
5. 1. Political Economy and the Global-Local Nexus of Hollywood 19
6. 2. Redesigning a Pocket Monument: A Reparative Reading of the 2016 Twenty-Dollar-Bill Controversy 41
7. 3. Go ’Head Girl, Way to Represent! Dealing with Issues of Race and Gender in Shondaland 56
8. 4. Comic Forms of Racial Justice: Aesthetics of Racialized Affect and Political Critique 75
9. 5. The News Media and the Racialization of American Poverty 96
10. 6. Process as Product: Native American Filmmaking and Storytelling 114
11. Part II. How Racialized Media Is Delivered
12. 7. Rethinking the American Public: NPR and the Pursuit of the Ideal Latinx Listener 137
13. 8. Journalistic Whiteout: Whiteness and the Racialization of News 155
14. 9. Reframing Adoptee Narratives: Korean-Adoptee Identity and Culture in Twinsters and aka SEOUL 173
15. 10. #BlackLivesMatter and Twitter: Mediation as a Dramaturgical Analysis 190
16. 11. Moral Framing Networks: How Moral Entrepreneurs Create Power through the Media 206
17. Part III. How Racialized Media Is Decoded
18. 12. “It Is Likely a White Gene”: Racial Voyeurism and Consumption of Black Mothers and “White” Babies in Online News Media 225
19. 13. Virtual Antiracism: Pleasure, Catharsis, and Hope in Mafia III and Watch Dogs 2 245
20. 14. Decoding the Drug War: The Racial Politics of Digital Audience Reception 264
21. 15. Dear White People: Using Film as a Catalyst for Racial Activism against Institutional Racism in the College Classroom 283
22. Conclusion. Next Steps for Media Studies 307
23. Acknowledgments 321
24. References 323
25. About the Editors 361
26. About the Contributors 363
27. Index 369