Chapter
Open Access
Notes
-
Helen Heran Jun
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
Part 1
- 1. The Press for Inclusion. Nineteenth-Century Black Citizenship and the Anti-Chinese Movement 13
- 2. “When and Where I Enter . . .”. Orientalism in Anna Julia Cooper’s Narratives of Modern Black Womanhood 33
-
Part 2
- 3. Blackness, Manhood, and the Aftermath of Internment in John Okada’s No-No Boy (1957) 49
- 4. Becoming Korean American. Blackface and Gendered Racialization in Ronyoung Kim’s Clay Walls (1987) 75
-
Part 3
- Introduction 95
- 5. Black Surplus in the Pacific Century. Ownership and Dispossession in the Hood Film 99
- 6. Asian Americans in the Age of Neoliberalism. Human Capital and Bad Choices in a.k.a. Don Bonus (1995) and Better Luck Tomorrow (2002) 123
- Afterword 149
- Notes 157
- Selected Bibliography 185
- Index 193
- About the Author 198
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
Part 1
- 1. The Press for Inclusion. Nineteenth-Century Black Citizenship and the Anti-Chinese Movement 13
- 2. “When and Where I Enter . . .”. Orientalism in Anna Julia Cooper’s Narratives of Modern Black Womanhood 33
-
Part 2
- 3. Blackness, Manhood, and the Aftermath of Internment in John Okada’s No-No Boy (1957) 49
- 4. Becoming Korean American. Blackface and Gendered Racialization in Ronyoung Kim’s Clay Walls (1987) 75
-
Part 3
- Introduction 95
- 5. Black Surplus in the Pacific Century. Ownership and Dispossession in the Hood Film 99
- 6. Asian Americans in the Age of Neoliberalism. Human Capital and Bad Choices in a.k.a. Don Bonus (1995) and Better Luck Tomorrow (2002) 123
- Afterword 149
- Notes 157
- Selected Bibliography 185
- Index 193
- About the Author 198