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1. Naturalism and the Modernization of Japanese Cinema

  • Naoki Yamamoto
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Dialectics without Synthesis
This chapter is in the book Dialectics without Synthesis
© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Realism, Film Theory, Japanese Cinema 1
  6. 1. Naturalism and the Modernization of Japanese Cinema 24
  7. 2. The Machine Aesthetic and Proletarian Realism 52
  8. 3. Literary Adaptation and Textual Realism 77
  9. 4. Documentary Film and Epistemological Realism 103
  10. 5. Neglected Traditions of Bergsonism and Phenomenology 133
  11. Epilogue: Hanada Kiyoteru and Postwar Debates 166
  12. Notes 185
  13. Selected Bibliography 209
  14. Index 225
https://doi.org/10.1525/9780520975903-004

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Realism, Film Theory, Japanese Cinema 1
  6. 1. Naturalism and the Modernization of Japanese Cinema 24
  7. 2. The Machine Aesthetic and Proletarian Realism 52
  8. 3. Literary Adaptation and Textual Realism 77
  9. 4. Documentary Film and Epistemological Realism 103
  10. 5. Neglected Traditions of Bergsonism and Phenomenology 133
  11. Epilogue: Hanada Kiyoteru and Postwar Debates 166
  12. Notes 185
  13. Selected Bibliography 209
  14. Index 225
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