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2. The Machine Aesthetic and Proletarian Realism

© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Realism, Film Theory, Japanese Cinema 1
  6. 1. Naturalism and the Modernization of Japanese Cinema 24
  7. 2. The Machine Aesthetic and Proletarian Realism 52
  8. 3. Literary Adaptation and Textual Realism 77
  9. 4. Documentary Film and Epistemological Realism 103
  10. 5. Neglected Traditions of Bergsonism and Phenomenology 133
  11. Epilogue: Hanada Kiyoteru and Postwar Debates 166
  12. Notes 185
  13. Selected Bibliography 209
  14. Index 225
Dialectics without Synthesis
Ein Kapitel aus dem Buch Dialectics without Synthesis
https://doi.org/10.1525/9780520975903-005

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. List of Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Realism, Film Theory, Japanese Cinema 1
  6. 1. Naturalism and the Modernization of Japanese Cinema 24
  7. 2. The Machine Aesthetic and Proletarian Realism 52
  8. 3. Literary Adaptation and Textual Realism 77
  9. 4. Documentary Film and Epistemological Realism 103
  10. 5. Neglected Traditions of Bergsonism and Phenomenology 133
  11. Epilogue: Hanada Kiyoteru and Postwar Debates 166
  12. Notes 185
  13. Selected Bibliography 209
  14. Index 225
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