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Interlude. Klara Milich

© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. A note on transliteration and dates xi
  5. Introduction 1
  6. 1. Decadence: Tchaikovsky at the Edge 25
  7. Interlude. Symbolism’s Nutcracker 71
  8. 2. Syncretism: Rimsky-Korsakov and Belsky 79
  9. Interlude. Klara Milich 131
  10. 3.Theurgy: Scriabin and the Impossible 143
  11. Interlude. Another Church Musician Writes an Opera 192
  12. 4. Mimesis: Prokofiev’s Demons 201
  13. Conclusion 255
  14. Notes 265
  15. Index 303
Russian Opera and the Symbolist Movement, Second Edition
This chapter is in the book Russian Opera and the Symbolist Movement, Second Edition
https://doi.org/10.1525/9780520973558-007

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. A note on transliteration and dates xi
  5. Introduction 1
  6. 1. Decadence: Tchaikovsky at the Edge 25
  7. Interlude. Symbolism’s Nutcracker 71
  8. 2. Syncretism: Rimsky-Korsakov and Belsky 79
  9. Interlude. Klara Milich 131
  10. 3.Theurgy: Scriabin and the Impossible 143
  11. Interlude. Another Church Musician Writes an Opera 192
  12. 4. Mimesis: Prokofiev’s Demons 201
  13. Conclusion 255
  14. Notes 265
  15. Index 303
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