Presented to you through Paradigm Publishing Services
University of California Press
Chapter
Licensed
Unlicensed
Requires Authentication
Introduction
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- List Of Figures ix
- List Of Musical Examples xi
- Acknowledgments xiii
- Introduction 1
-
Part One. The Image Of Truth
- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto 17
- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale 39
- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione 75
-
Part Two. The Truth Of Representation
- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione 103
- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira 126
- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù 173
- Epilogue: Constructing Gender and Politics; Queen Christina’s Image 210
- Notes 225
- Bibliography 283
- Index 301
Chapters in this book
- Frontmatter i
- Contents vii
- List Of Figures ix
- List Of Musical Examples xi
- Acknowledgments xiii
- Introduction 1
-
Part One. The Image Of Truth
- 1. Founding Arcadia: The Aesthetics Of Verisimilitude And Buon Gusto 17
- 2. Performing L’Endimione: A History and Reappraisal of Guidi’s Favola pastorale 39
- 3. Reading the Classics: Intellectual and Cultural Resonances in Gravina’s Discorso sopra l’Endimione 75
-
Part Two. The Truth Of Representation
- 4. Reconciling Icon, Mythos, And Tupos: The Role Of Images In L’Endimione 103
- 5. Believing in Opera: Visual Modes in Alessandro Scarlatti’s La Statira 126
- 6. Deceiving the Eye: Mirror, Statue, and Stone in Carlo Francesco Pollarolo’s La forza della virtù 173
- Epilogue: Constructing Gender and Politics; Queen Christina’s Image 210
- Notes 225
- Bibliography 283
- Index 301