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3. Reprotechnophobia Putting an End to Analog Abjection with The Ring

© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Opening Up to Home Video 1
  6. 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero 25
  7. 2. Addressing the “New Flesh” Videodrome’s Format War 70
  8. 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring 102
  9. 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship 132
  10. 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator 167
  11. Conclusion. Power Play 203
  12. Notes 209
  13. Bibliography 259
  14. Filmography, Videography, and Gameography 281
  15. Index 289
Killer Tapes and Shattered Screens
This chapter is in the book Killer Tapes and Shattered Screens
https://doi.org/10.1525/9780520954496-006

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction. Opening Up to Home Video 1
  6. 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero 25
  7. 2. Addressing the “New Flesh” Videodrome’s Format War 70
  8. 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring 102
  9. 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship 132
  10. 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator 167
  11. Conclusion. Power Play 203
  12. Notes 209
  13. Bibliography 259
  14. Filmography, Videography, and Gameography 281
  15. Index 289
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