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Mainframe Experimentalism
Early Computing and the Foundations of the Digital Arts
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Edited by:
Hannah Higgins
and Douglas Kahn
Language:
English
Published/Copyright:
2023
About this book
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers ar
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers ar
Author / Editor information
Higgins Hannah :
Hannah B Higgins is Professor of Art History at the University of Illinois at Chicago and the author of Fluxus Experience (UC Press).
Douglas Kahn is Professor of Media and Innovation at the National Institute of Experimental Arts (NIEA) at the University of New South Wales, Australia. He is the coeditor of Source: Music of the Avant-garde (UC Press).
Topics
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Frontmatter
I -
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CONTENTS
VII -
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ILLUSTRATIONS
XI -
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ACKNOWLEDGMENTS
XIII -
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INTRODUCTION
1 - PART ONE. DISCOURSES
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1. The Soulless Usurper: Reception and Criticism of Early Computer Art
17 -
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2. Georges Perec's Thinking Machines
38 -
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3. In Forming Software: Software, Structuralism, Dematerialization
51 - PART TWO. CENTERS
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4. Information Aesthetics and the Stuttgart School
65 -
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5. "They Have All Dreamt of the Machines—and Now the Machines Have Arrived": New Tendencies—Computers and Visual Research, Zagreb, 1968-1969
90 -
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6. Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980
112 - PART THREE. MUSIC
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7. James Tenney at Bell Labs
131 -
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8. HPSCHD-Ghost or Monster?
147 -
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9. The Alien Voice: Alvin Lucier's North American Time Capsule 1967
170 -
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10. An Introduction to North American Time Capsule 1967
187 -
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11. North American Time Capsule 1967
189 - PART FOUR. ART AND INTERMEDIA
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12. An Introduction to Alison Knowles's The House of Dust
195 -
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13. The Book of the Future: Alison Knowles's The House of Dust
200 -
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14. Three Early Texts by Gustav Metzger on Computer Art
209 -
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15. Computer Participator: Situating Nam June Paik's Work in Computing
229 - PART FIVE. POETRY
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16. First-Generation Poetry Generators: Establishing Foundations in Form
243 -
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17. "Tape Mark I"
266 -
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18. Letter to Ann Noel
275 -
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19. The Computational Word Works of Eric Andersen and Dick Higgins
279 -
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20. Opus 1966
288 -
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21. "Computers for the Arts" (May 1968)
292 -
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22. The Role of the Machine in the Experiment of Egoless Poetry: Jackson Mac Low and the Programmable Film Reader
298 - PART SIX. FILM AND ANIMATION
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23. Stan VanDerBeek's Poemfields: The Interstice of Cinema and Computing
311 -
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24. From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney
334 -
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INDEX
355
Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 1, 2023
eBook ISBN:
9780520953734
Edition:
Reprint 2019
Pages and Images/Illustrations in book
Main content:
376
eBook ISBN:
9780520953734
Keywords for this book
digital media; digital studies; computer art; digital art; modern art; media studies; computers and art; computer artists; digital artist; digital culture; digital scholarship; early computer art; computer art criticism; computer art history; art history; art criticism; stuttgart school; information aesthetics; visual research; visual studies; visual rhetoric; art and media; alison knowles; nam june paik; film arts; computers; art