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© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction 1
  6. 1. The Recorded Musical Text 27
  7. 2. Recording, Repetition, and Memory in Absolute Music 60
  8. 3. Schnabel’s Rationalism, Gould’s Pragmatism 91
  9. 4. Digital Mythologies 123
  10. 5. Beethoven and the iPod Nation 162
  11. 6. Photo/phono/porno 194
  12. 7. Mahler as Imagist 221
  13. Notes 253
  14. Selected Bibliography 299
  15. Index 309
Absolute Music, Mechanical Reproduction
This chapter is in the book Absolute Music, Mechanical Reproduction
https://doi.org/10.1525/9780520945692-011

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Acknowledgments xi
  5. Introduction 1
  6. 1. The Recorded Musical Text 27
  7. 2. Recording, Repetition, and Memory in Absolute Music 60
  8. 3. Schnabel’s Rationalism, Gould’s Pragmatism 91
  9. 4. Digital Mythologies 123
  10. 5. Beethoven and the iPod Nation 162
  11. 6. Photo/phono/porno 194
  12. 7. Mahler as Imagist 221
  13. Notes 253
  14. Selected Bibliography 299
  15. Index 309
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