Skip to main content
Presented to you through Paradigm Publishing Services

University of California Press

Visit our Partner Page See all our books
Chapter
Licensed
Unlicensed Requires Authentication

Select Bibliography

© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. Preface IX
  4. Introduction: The Critical History of Impressionism: An Overview 1
  5. Part One. Background Studies: Economic Landscapes and Exhibition Strategies
  6. 1. Impressionism, Originality, and Laissez-Faire 23
  7. 2. Dealing in Temperaments: Economic Transformation of the Artistic Field in France during the Second Half of the Nineteenth Century 31
  8. 3. Impressionist Installations and Private Exhibitions 49
  9. Part Two. Landscapes of Modernity
  10. 4. Framing the Landscape 77
  11. 5. The Environs of Paris 101
  12. Part Three. The Critical Climate
  13. 6. The Intransigent Artist or How the Impressionists Got Their Name 149
  14. 7. Duranty on Degas: A Theory of Modern Painting 163
  15. 8. Berthe Morisot and the Feminizing of Impressionism 191
  16. Part Four. Impressionism, Politics, and Nationalism
  17. 9. Camille Pissarro in 1880: An Anarchistic Artist in Bourgeois Society 205
  18. 10. Monet and the Challenges to Impressionism in the 1880s 227
  19. Part Five. Recent Studies in Post-Impressionist Painting
  20. 11. Seurat's Grande Jatte: An Anti-Utopian Allegory 253
  21. 12. At the Threshold of Symbolism: Van Gogh's Sower and Gauguin's Vision after the Sermon 271
  22. 13. Mark, Motif, Materiality: The Cézanne Effect in the Twentieth Century 287
  23. Select Bibliography 323
  24. Contributors 331
  25. Illustrations 333
  26. Index 337
Critical Readings in Impressionism and Post-Impressionism
This chapter is in the book Critical Readings in Impressionism and Post-Impressionism
https://doi.org/10.1525/9780520940444-016

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. Preface IX
  4. Introduction: The Critical History of Impressionism: An Overview 1
  5. Part One. Background Studies: Economic Landscapes and Exhibition Strategies
  6. 1. Impressionism, Originality, and Laissez-Faire 23
  7. 2. Dealing in Temperaments: Economic Transformation of the Artistic Field in France during the Second Half of the Nineteenth Century 31
  8. 3. Impressionist Installations and Private Exhibitions 49
  9. Part Two. Landscapes of Modernity
  10. 4. Framing the Landscape 77
  11. 5. The Environs of Paris 101
  12. Part Three. The Critical Climate
  13. 6. The Intransigent Artist or How the Impressionists Got Their Name 149
  14. 7. Duranty on Degas: A Theory of Modern Painting 163
  15. 8. Berthe Morisot and the Feminizing of Impressionism 191
  16. Part Four. Impressionism, Politics, and Nationalism
  17. 9. Camille Pissarro in 1880: An Anarchistic Artist in Bourgeois Society 205
  18. 10. Monet and the Challenges to Impressionism in the 1880s 227
  19. Part Five. Recent Studies in Post-Impressionist Painting
  20. 11. Seurat's Grande Jatte: An Anti-Utopian Allegory 253
  21. 12. At the Threshold of Symbolism: Van Gogh's Sower and Gauguin's Vision after the Sermon 271
  22. 13. Mark, Motif, Materiality: The Cézanne Effect in the Twentieth Century 287
  23. Select Bibliography 323
  24. Contributors 331
  25. Illustrations 333
  26. Index 337
Downloaded on 4.5.2026 from https://www.degruyterbrill.com/document/doi/10.1525/9780520940444-016/html?lang=en
Scroll to top button