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3. Grimes And Lucretia
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface xi
- Introduction Remembering Philip Brett 1
- 1. Britten And Grimes 11
- 2. “Grimes Is At His Exercise” Sex, Politics, And Violence In The Librettos Of Peter Grimes 34
- 3. Grimes And Lucretia 54
- 4. Salvation At Sea Britten’S Billy Budd 70
- 5. Character And Caricature In Albert Herring 81
- 6. Britten’S Bad Boys Male Relations In The Turn Of The Screw 88
- 7. Britten’S Dream 106
- 8. Eros And Orientalism In Britten’S Operas 129
- 9. Keeping The Straight Line Intact? Britten’S Relation To Folksong, Purcell, And His English Predecessors 154
- 10. Pacifism, Political Action, And Artistic Endeavor 172
- 11. Auden’S Britten 186
- 12. The Britten Era 204
- Afterword 225
- Appendix Philip Brett’S Britten Scholarship 247
- Works Cited 255
- Index 267
Chapters in this book
- Frontmatter i
- Contents vii
- Preface xi
- Introduction Remembering Philip Brett 1
- 1. Britten And Grimes 11
- 2. “Grimes Is At His Exercise” Sex, Politics, And Violence In The Librettos Of Peter Grimes 34
- 3. Grimes And Lucretia 54
- 4. Salvation At Sea Britten’S Billy Budd 70
- 5. Character And Caricature In Albert Herring 81
- 6. Britten’S Bad Boys Male Relations In The Turn Of The Screw 88
- 7. Britten’S Dream 106
- 8. Eros And Orientalism In Britten’S Operas 129
- 9. Keeping The Straight Line Intact? Britten’S Relation To Folksong, Purcell, And His English Predecessors 154
- 10. Pacifism, Political Action, And Artistic Endeavor 172
- 11. Auden’S Britten 186
- 12. The Britten Era 204
- Afterword 225
- Appendix Philip Brett’S Britten Scholarship 247
- Works Cited 255
- Index 267